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Posts Tagged ‘Sydney Jazz’

505 – now U-18 Friendly

News————–

Cameron Undy has just informed me that 505 is now under 18 year old friendly when accompanied by an adult.

This is great news for all the keen students looking for a place to go regularly to see jazz in Sydney.

Dig.

E. Dilla

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Hey Everyone,

As some of you may know I am currently writing from London for the next 2 months as I am here on a scholarship to study along with fellow Dilworther Alex Boneham.

So far the summer weather here is more like a warm Sydney winter day but the extended hours of sunlight (sun sets about 10pm) is encouraging to get out each night to see some of the great gigs that have been taking place.

While still battling jet lag, I haven’t had a chance to slow down the last three days. Aussie ex-pat Graeme Blevins led an All-Star quintet at the Pizza Express Jazz Club two nights in a row featuring German trumpeter Till Bronner and Guitarist Mike Outtram. By the second night this band was smoking playing a few standards and modern originals. Till has a super slick sound and outstanding technique that sucks you in with every note he plays. Graeme used to lead a band in Perth called K which is well worth checking out.

Yesterday before watching the frustrating England vs Algeria match was a keynote address by Wynton Marsalis. This week Jazz at the Lincoln Centre orchestra is in residence. I’m particular excited to go see them on a free stage this afternoon and also another group with Terrell Stafford and Rodney Whitaker. Wynton gave a very inspiring talk and used his trumpet and quintet to demonstrate. In particular talked about some ideas of group playing and time modulations that had Alex and I going home together and trying some of it out! Check out a great review of the address from London Jazz Blog – http://londonjazz.blogspot.com/2010/06/wynton-marsalis-keynote-address.html

Below is a photo of Wynton with Walter Blanding, Dan Nimmer, Carlos Henriques and Ali Jackson.

Thats all for now,

E. Dilla

P.S Feel free to drop a comment on the posts! Id love to know whats happening back home!

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Here’s a tune I wrote entitled “Trapped” and features Karl Laskowski and Steve Barry. Dig!

Below is a PDF of the score.
Click here to view the score for Trapped (E.Dilworth)

Enjoy!

E.Dilla

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Hey Guys,

Beginning of May I was fortunate to be invited by bassist Lyndon Gray to come down to Adelaide to perform a few gigs at COMA and La Boheme. I had a fantastic time and got to play with some really great musicians including Dan Clohesy – with whom I recorded an album of octet music back in January.

I was promoting The Dilworths’ album and performing music with two bands while I was in town. I was very excited for my first experience of stepping of the plane and driving straight to the gig, meeting the band for the first time and then performing my compositions. They played the tunes really well and I has such a blast playing with them.

The Monday night was at COMA with Dan Clohesy, Lyndon Gray and Stephen Neville and Wednesday night with some of the teachers from the Adelaide Conservatorium – Chris Soole, Chris Martin, Lyndon Gray and Kevin Van Der Zwaag.

Some pictures were posted of the Monday night gig in which you can view here and a few in the slideshow below.

This slideshow requires JavaScript.

Later,

E. Dilla

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Jane Irving is one of Sydney’s most swingtastic singers. I’ve had the pleasure of performing and hanging out with her many times and she is one of my all time favourites.
Every Sunday you can check her out with her all star band “The Swinging Blades”  down at Marrickville Golf Club 3:30pm-6:30pm.
www.janeirving.com

Check it!!!

Here’s her top 3 albums:

Sarah Vaughan ‘Swingin’ Easy’.
The tracks on this CD are from two New York recordings. 1954 and 1957. John Malachi and Jimmy Jones piano; Joe Benjamin and Richard Davis bass and Roy Haynes drums.
~I first heard this album somewhere back in the early 80s in high school. It was my introduction to jazz singing. It completely blew my mind then and when I return to it now it’s the combination of interaction, quality of accompaniment and Sarah’s effortless singing style that I love. Swingin easy indeed. The thing I remember the most however, was hearing Sarah’s solo on All Of Me. A perfectly constructed solo, inventive, grooving and acrobatic. It was that precise moment that I fell in love with Sarah and made my decision to go about learning how to sing jazz. I knew I had a long road ahead of me but I was attracted to that beautiful mystery. I love her time, her humour, the range (hello!) and the willingness and confidence to really take a tune somewhere –not just sing the melody and be done with it. On this album Sarah’s personality shines beautifully bright –especially for someone who had only recorded once before with a small group, and in the 50’s her larynx was no-where near as close to the floor as in later years. There are some straight ahead tunes here, ‘Polka Dots and Moonbeams’, ‘They Can’t Take That Away From Me’ and other tracks including a very swinging ‘You Hit The Spot’, ‘If I Knew Then’, ‘Words Can’t Describe’, ‘Linger Awhile’ and the opening track ‘Shulie a Bop’ (a tune that Sarah wrote with George Treadwell) -are tunes that I will forever associate with Sarah.

Mark Murphy ‘Kerouac, Then And Now’ 1989
Bill Mays piano; John Goldsby bass and Steve LaSpina bass; Adam Nussbaum drums.
~ Mark Murphy draws from the days of Jack Kerouac including readings from the ‘Big Sur’ and ‘On The Road’ both with rhythm accompaniment but
this is a pretty big album in terms of material. Mark says in the liner notes that people like Monk and Eddie Jefferson (who are also acknowledged in this album) “…all added a richness to the legacy of the Beats –and beyond. This legacy still is as hot today as it was then”. Well, Mark should know. He is jazz. Monk’s ‘Ask Me Now’ is so god damn groovy I can’t stand it and his singing on ‘The Night We Called It A Day’ is just sublime. Every single track on this record holds you, deeply invested in –what’s about to happen and there is a lot of ground covered. Mark is the ultimate story teller. His perspectives are totally unique and he goes to great lengths to get his point across over a lyric with the most beautiful phrasing – never the same, always giving every word the precise weight it deserves. Like a conversation. I’ve learned much from this record.

Sonny Stitt sits in with The Oscar Peterson Trio’
Two sessions1957 with Oscar; Ray Brown bass; Herb Ellis guitar; Stan Levey drums and 1959 with Oscar; Ray Brown bass and Ed Thigpen drums and Sonny on tenor and alto.
~This one swings it’s ass off, unwavering, right in the pocket. I’ve pretty much committed this album to memory – well, pretty much, ha! A tune that nobody does ‘The Gypsy’ was the killer for me. I’m sure that when instrumentalists know the lyrics to tunes, you can hear it in their blowing. Well, whether Sonny did or not, the soul and intent in this mans playing is extraordinary. This is pretty much a dream band and the vibe of both recordings is just so happening. ‘I Know That You Know’ is what I like to call stupid fast and they all get around it. Sonny with all those triplet rolls and the way he gets from one part of the horn to the other in half the blink of an eye, is so fluid. I think I’m gona take it for a spin right now… happy happy daze!

Later,
E. Dilla

P.S Coming up next – Kristen Beradi!!!

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Hey Everyone,

Just a heads up that The Dilworths have to exciting shows coming up this weekend.
We are featuring music from our debut album “Introducing The Dilworths” as well as a whole set of new original compositions the band has been workshopping over the last few months. This will also be Hugh Barrett’s Last run of gigs with the band while he heads away for 6 months with The Beautiful Girls so make sure you come down to here him before he goes.

On Friday (26th March) we make our long awaited debut at SIMA
For full details click here.

Two sets 8:30pm and 10pm

Please note: This is an All Ages gig (under 18’s need to be accompanied by an adult)

To celebrate this debut performance we have a double pass giveaway for the first person to email us at management@thedilworths.com

Also, on Monday (29th March)we are taking over the new 505 venue for the night. 505 has since moved from its hidden warehouse and now sits on the corner of Clevelend St and Perry Lane.

9pm Start

$10 entry and you can find out more at http://www.venue505.com

Hope to see you at one or both of these gigs this weekend! be sure to come say hi!

Later

E Dilla

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