Feeds:
Posts
Comments

Archive for the ‘News’ Category

Tune into ABCJazz on Digital radio on Thursday, 9pm (channel 201 on digital TV) to hear a live one hour recording of ‘The Dilworths’ recorded for ABCJazz in January 2010.

Here is the link: http://abcjazz.net.au/features/abc-jazz-recording-the-dilworths

We went in for a few hours and recorded a live set of new tunes previously unrecorded. You can also download one track – “Black and White” for free to get a taste of what to expect on Thursday.

Later

Eamon

Advertisements

Read Full Post »

The Latest top 5 list comes from one of the more prominent musicians in Sydney – Simon Barker. Not only a great drummer, Simon also runs Kimnara Records which puts out consistently high quality CDs from Australian artists such as ‘Band of Five Names’, Scott Tinkler, Phil Slater, Matt McMahon and Carl Dewhurst. Two of my favourite Australian records are Phil Slater’s “The Thousands” and Matt McMahon’s “Paths and Streams” which both feature Simon and are released under the Kimnara flag. Simon has provided a lot of guidance in helping release ‘The Dilworths” debut album.

Also, if you are free on Monday the 1st March be sure to get down to the Australian Film Festival screening of “Intangible Asset No. 82” – a documentary following Simon’s search for a shaman and grandmaster musician in South Korea. Click here for more details.

Here are his top 5:

Jack Dejohnette

It’s hard to describe how much joy I’ve experienced while listening to Jack Dejohnette play the drums. I first heard him on Keith Jarrett “Standards Volume 2” when I was a teenager and have been a huge fan ever since. Jack’s way of creating streams of unresolved conversational rhythms had a huge impact on me, and his willingness to consistently develop new approaches to his instrument (conceptually and physically) is really inspiring… a wonderful musician.

Elvin Jones

What can you say? I’ve been listening to Elvin Jones since I started and am still completely mystified by the depth of his pulse and ability to create such a profoundly personal style. I love so many records that he’s on but my favorite is “Crescent” by John Coltrane, featuring the track “Wise One”… one of the most lyrical grooves I’ve ever heard. There are so many facets to Elvin’s playing… the powerful ritualistic playing, the incredibly swinging accompanist, the amazing ballad playing… genius!

Kim Seok Chul

In 2000, I was working in Korea and heard a recording of ritual music from Korea’s East Coast performed by a group of shamans led by Kim Seok Chul. The drumming had a profound effect on me and has changed the direction of my life. Since hearing this music I’ve spent many years traveling to Korea to study, perform, and engage with Korea’s extraordinary musical heritage. The style of drumming performed by members of Kim Seok Chul’s family is characterised by dense streams of conversational rhythms that are mesmerising. I was very fortunate to meet Kim Seok Chul in the final days of his life… a once in a lifetime experience!

Jim Black

In 1997, while touring Europe with Scott Tinkler, I was very fortunate to hear Jim Black perform with Ellery Eskelin. At the time I was unsure of what I was trying to do musically and feeling pretty confused (while also having a blast with Scott and Adam). With that in mind I went to Jim’s gig and was completely blown away. He played in a way that included everything from trad to ‘Blondie’… heavy metal, jazz, ‘The Bangles’… it was an incredible experience that was refreshing and inspiring and so exciting to listen to. Jim and the community of musicians he’s involved with have had such a positive impact on so many young musicians… a very inspiring guy.

Lately I’ve been really getting into ‘Questlove’, Ed Blackwell, Joey Baron, Rick Marotta, Hamish Stuart, Tony Williams, Mitch Mitchell, Ritchie Haywood, Paul Motian, Vernel Fournier, Steve Jordan, Tony Buck, Katsuya Yokoyama, Watazumi, Feldman, as well as the various drummers who played with Curtis Mayfield and James Taylor.

Also, I have to say that perhaps the most influential musicians in my life have been people who I’ve played with who want to try things that may not have been played by other drummers. Mark Simmonds had some killing drum beats that were fully formed in his head which were unique, while Phil Slater and Scott Tinkler have some really inspiring ideas about drumming, pulse, phrasing and ensemble playing.

Later,

Eamon

P.S. Check out http://www.kimnara.com.au

Read Full Post »

Hey everyone,

Last night I got to film the great Dave Panichi’s Septet at the new 505 venue.
It was a great night featuring Phil Slater, Peter Farrar, Carl Morgan, Hugh Barrett, Brendan Clark and Evan Mannell.
Dave writes some great conceptual compositions and I hope to put up a few videos over the next week to show those who couldn’t make the gig.

For now here is Peter Farrar’s solo on the last tune for the night. Peter is one of the most interesting and exciting players in Sydney and it’s rare to see him perform. Hope you enjoy:

later,

Eamon

Read Full Post »

Hey everyone,

Last night I went and checked out Jazzgroove at the new venue for 505. It is a really great room and the upcoming programme of music is outstanding. I recommend everyone to get down there soon!

I bought a video camera on the weekend and tried it out last night. I hope to get videos up every week.

This clip is of James Loughnan with The Doig Collective last night. I thought he played a wicked solo and wanted to share it with you.

Later

Eamon
P.S There’s some great gigs happening this week – James Muller’s Quartet tonight @ The Basement and Mike Nock Friday Night @ The Soundlounge

Read Full Post »

Hey everyone,

I just wanted to let you know about some other great blog sites that are around at the moment. These are ones I’ve discovered recently and would recommend you check out as they are a really great read.

Marc Hannaford (Melbourne pianist)

Do The Math (Ethan Iverson of Bad Plus Fame)

Jason Palmers Weblog (Slammin’ Boston Based Trumpeter)

Greenleaf Music (Dave Douglas’ blog plus Kneebody and others)

Later Eamon

Current Reading – Downbeat Magazines 75th Anniversary “Top interviews over the last 75 years”

Current Listening: Bobby Timmons Live at the Village Vanguard

Read Full Post »

Thanks to everyone who came down and supported The Dilworths set at the Jazzgroove Festival last night. Thanks to Carl Morgan or filling in – you smoked it!  It was such a great crowd and a big turn out for all the bands that night. I couldn’t stay around but heard that Elana Stone’s Band rocked the house.

For those that missed it, there was a marching band on Saturday arvo marching down Foveaux St drawing people out of the shop fronts in a wicked New Orleans style jam. It was so great and inspiring to see so many of the top sydney musicians that I’ve grown up admiring to be getting together jamming to promote the festival.

I’ll be heading down tonight to check out Gerard Masters, the Waples Brothers and the Vampires. I’m sure the Mothership will be a smokin’ gig too.

Big shout out to the Jazzgroove Association, but in particular Mat Ottignon and John Hibbard for the great efforts they went to make it such a successful festival. Hopes high that it happens again next year.

-Eamon

Current Reading: Richard Dawkins – Evidence for Evolution
Current Listening: Terence Blanchard – Choices; Check out his “webisodes’ on youtube, “Evolving” in particular episode 3 discussing the bands approach to playing.

Read Full Post »

THIS self-titled debut album by a youthful quintet of students and ex-students from the Sydney Conservatorium is led by trumpeter Eamon Dilworth, who composed all but one of the seven tracks.

Although all members are in their 20s, they’ve had extensive local and overseas playing experience. Joining Dilworth in the front line is saxophonist Karl Laskowski, an amazing player who performed in New York’s Carnegie Hall at the age of 17.

The compositions are varied in style and reveal an exceptional level of ability, from the atonal car horn opening and eastern modality of Lettin’ Loose, to the soul-infused, relaxed Latino feel of Satura. Hugh Barrett’s piano is unobtrusively important in ensemble passages and contributes thoughtful, moving solos expertly crafted, as in Grim Hell, where he introduces Alex Boneham’s sturdily melodic acoustic bass, followed by a rapid-fire drum solo from Cameron Reid.

Laskowski by Nature is a swinging post-bop piece featuring Dilworth’s trumpet flaring brightly before the tenor sax’s galvanising lift-off in rocket trajectory. A subdued, but insistent piano riff steps through Lili Song, with the trumpet gradually developing the soothing theme, ahead of an offbeat transformation into a funky finale. The talent-packed Dilworths are a band to watch out for; their appealing compositions and articulate performances cannot be ignored.
John McBeath (Weekend Australian 2010)

For the original online article follow the link below:

http://www.theaustralian.com.au/news/arts/this-weeks-cds/story-e6frg8po-1225818787847

Read Full Post »

« Newer Posts - Older Posts »